Cinema et Cie
Mimesis International · Italy · Est. 2022
Aims & Scope
The research areas of the journal include media history and theory and their relationship; the various intersections between technological, industrial and representational aspects; audiovisual heritage; reception and consumption; the links between different forms of audiovisual narrative, art and communication.
General Information
Submission Info
Ethics & Quality
Think.Check.Submit Compliance
A twelfth criterion — whether APC fees are clearly disclosed — is not scored here; it is left out of the total rather than counted as a failure. Publication charges appear in the metrics card above.
Based on the Think.Check.Submit framework by DOAJ, COPE & OASPA. All data from verified open sources.
Publication & Citation Trend
Source: OpenAlex · Each year’s green bar = citations earned by that year’s papers, counted to date — so recent years look lower simply because their papers haven’t had time to be cited yet.
SJR Quartile by Discipline
Scimago ranks this journal separately in each subject category — its quartile can differ by discipline.
Subject Classification
Scopus Categories
Research Topics (OpenAlex)
Frequently asked questions about Cinema et Cie
Is Cinema et Cie a predatory journal?
PubScope has no integrity flags on record for Cinema et Cie: it is indexed in Scopus, DOAJ, and is not on DOAJ's withdrawn list. Indexing is a transparency signal, not a guarantee — always confirm fit and policies before submitting.
What is the impact factor of Cinema et Cie?
Cinema et Cie is not in the Web of Science Core Collection, so it has no official Clarivate Journal Impact Factor. Its SCImago SJR score is 0.117.
Is Cinema et Cie indexed in Scopus and Web of Science?
Cinema et Cie is indexed in Scopus, DOAJ.
What is the aims and scope of Cinema et Cie?
The research areas of the journal include media history and theory and their relationship; the various intersections between technological, industrial and representational aspects; audiovisual heritage; reception and consumption; the links between different forms of audiovisual narrative, art and communication.
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