Drammaturgia

Aims & Scope

The theatre is always the result of a collaborative elaboration and the text is located in a fluid area, contaminated by many contributions. "Drammaturgia" aims to be a meeting point for researchers to put into practice different forms of dramaturgical writing and the place where to verify the multiform nature of writing for the show: a complex discipline, made up of theoretical and practical elements common to different genres. The journal is placed in a rigorous scientific context, but also aims to achieve a wider audience of readers. The journal investigates a long diachronic arc – from the ancient world to today – in a historical-philological perspective attentive to intercultural dynamics and the differences between the literary crystallizations of theatre and the specific contexts and processes of production, staging, and fruition of live theatre.

A twelfth criterion — whether APC fees are clearly disclosed — is not scored here; it is left out of the total rather than counted as a failure. Publication charges appear in the metrics card above.

Based on the Think.Check.Submit framework by DOAJ, COPE & OASPA. All data from verified open sources.

Source: OpenAlex · Each year’s green bar = citations earned by that year’s papers, counted to date — so recent years look lower simply because their papers haven’t had time to be cited yet.

Subject Classification