Mimesis Journal
Accademia University Press · Italy · Est. 2012
Aims & Scope
The journal "Mimesis Journal" publishes twice a year (June and December), alternating thematic and miscellaneous issues. The subtitle "Scritture della performance" indicates that it brings together authors from different countries and generations, academics, artists, and researchers, interested in the present and future of theatre and performing arts – encompassing modernity and contemporaneity, as well as the most advanced research and theories of the present – from a multidisciplinary, interdisciplinary, and transdisciplinary perspective, thus not exclusively historiographical but oriented phenomenologically. The journal is divided into three sections: “Essays”, “Points of View”, and “Readings and Visions”.
General Information
Submission Info
Ethics & Quality
Think.Check.Submit Compliance
A twelfth criterion — whether APC fees are clearly disclosed — is not scored here; it is left out of the total rather than counted as a failure. Publication charges appear in the metrics card above.
Based on the Think.Check.Submit framework by DOAJ, COPE & OASPA. All data from verified open sources.
Frequently asked questions about Mimesis Journal
Is Mimesis Journal a predatory journal?
PubScope has no integrity flags on record for Mimesis Journal: it is indexed in DOAJ, and is not on DOAJ's withdrawn list. Indexing is a transparency signal, not a guarantee — always confirm fit and policies before submitting.
What is the impact factor of Mimesis Journal?
Mimesis Journal is not in the Web of Science Core Collection, so it has no official Clarivate Journal Impact Factor.
Is Mimesis Journal indexed in Scopus and Web of Science?
Mimesis Journal is indexed in DOAJ.
What is the aims and scope of Mimesis Journal?
The journal "Mimesis Journal" publishes twice a year (June and December), alternating thematic and miscellaneous issues. The subtitle "Scritture della performance" indicates that it brings together authors from different countries and generations, academics, artists, and researchers, interested in the present and future of theatre and performing arts – encompassing modernity and contemporaneity, as well as the most advanced research and theories of the present – from a multidisciplinary, interdisciplinary, and transdisciplinary perspective, thus not exclusively historiographical but oriented p
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